Homepage Band Seating Chart Form

Band Seating Chart Sample

Director Name:

________________

Traditional American Concert Band Set-up Diagram

Draw Percussion Set-up with sight-line to Conductor

School Name:

_______________

X = Chairs O = Stands

Row 1

Chairs _____

Stands

______

Row 2

Chairs _____

Stands

______

Row 3

Chairs _____

Stands

______

Row 4

Chairs _____

Stands

______

Totals

Chairs _____

Stands ______

 

 

 

 

Concert Band Set-up

ROW 5

ROW 4

ROW 3

ROW 2

ROW 1

PODIUM

School: _______________________________________

Director: ______________________________________

Performance Date: _____________ Time: __________

ROW 1 ______ CHAIRS & _______ MUSIC STANDS

ROW 2

______ CHAIRS & _______ MUSIC STANDS

ROW 3

______ CHAIRS & _______ MUSIC STANDS

ROW 4

______ CHAIRS & _______ MUSIC STANDS

ROW 5

______ CHAIRS & _______ MUSIC STANDS

The AIBF stage crew will do their best to set the stage for your requirements.

Please note that percussion MUST stay in the basic set-up as shown.

PLEASE FAX THIS FORM TO 780-438-1465 ATT: ROB SPEERS PRIOR TO MARCH 1, 2008

2007 Huron Concert Band

Row 1: 6 Chairs/3 Stands (Flute)

Row 2: 10 Chairs/8 Stands (1st & 2nd Clarinets, Oboe, Bassoon, Bass Clarinet)

Row 3: 14 Chairs/10 Stands (3rd Clarinet, Horns, Bari, Tenor, Alto

Row 4: 19 Chairs/13 Stands (Trumpets, Trombones, Euphonium, Tuba)

Row 5: 5 Stands

Percussion: 11 Stands

Auxiliary

Vibes

Bass

Timpani

Snare

Bells

Xylophone

Marimba

Chimes

Instructions on Utilizing Band Seating Chart

To successfully complete the Band Seating Chart form, follow these steps carefully. After filling out the form, it will be submitted to ensure that the stage is set up according to your specifications for the performance.

  1. Enter the Director Name in the designated space at the top of the form.
  2. Draw the Percussion Set-up on the provided diagram, ensuring that it has a clear sight-line to the conductor.
  3. Fill in the School Name in the appropriate section.
  4. In the seating chart for the Traditional American Concert Band, record the number of Chairs and Stands for each row:
    • Row 1: _____ Chairs & ______ Stands
    • Row 2: _____ Chairs & ______ Stands
    • Row 3: _____ Chairs & ______ Stands
    • Row 4: _____ Chairs & ______ Stands
  5. Calculate the Totals for Chairs and Stands and fill them in at the bottom of the section.
  6. For the Concert Band Set-up, fill in the corresponding number of Chairs and Music Stands for each row:
    • Row 1: ______ Chairs & ______ Music Stands
    • Row 2: ______ Chairs & ______ Music Stands
    • Row 3: ______ Chairs & ______ Music Stands
    • Row 4: ______ Chairs & ______ Music Stands
    • Row 5: ______ Chairs & ______ Music Stands
  7. Fill in the School and Director information in the designated areas.
  8. Enter the Performance Date and Time in the respective fields.
  9. Review the form for accuracy and completeness.
  10. Fax the completed form to 780-438-1465 to the attention of Rob Speers before the deadline of March 1, 2008.

Misconceptions

Understanding the Band Seating Chart form is essential for ensuring a successful performance. However, several misconceptions often arise regarding its purpose and use. Here are nine common misunderstandings:

  1. It is only for large bands. Many believe that the seating chart is only necessary for larger ensembles. In reality, even smaller groups benefit from a structured arrangement, as it helps with sound balance and sight lines.
  2. Directors can fill it out at any time. Some think they can complete the form whenever they feel like it. However, timely submission is crucial, as it allows the stage crew to prepare adequately for the performance.
  3. All instruments can be placed anywhere. A common misconception is that any instrument can occupy any spot on the stage. Certain instruments, particularly percussion, have designated areas to maintain proper acoustics and sight lines.
  4. The form is optional. Some may view the seating chart as a mere suggestion. In fact, it is a necessary tool that ensures the performance runs smoothly and meets the specific needs of the ensemble.
  5. Only the director needs to complete it. It is often assumed that only the director should fill out the form. However, input from section leaders can provide valuable insights into the optimal arrangement for each group.
  6. It does not affect the performance. Some might think that the seating arrangement has no impact on the overall performance. In truth, a well-thought-out setup can enhance musicians' ability to hear one another and respond effectively during the concert.
  7. There is no need for a visual diagram. Many overlook the importance of the visual aspect of the seating chart. A diagram helps clarify the arrangement, making it easier for all members to understand their positions.
  8. Changes can be made last minute. Some believe they can make alterations to the seating arrangement right before the performance. Last-minute changes can create confusion and disrupt the preparation process, so it’s best to finalize the chart well in advance.
  9. Only one copy is needed. It is a misconception that only a single copy of the seating chart suffices. Distributing multiple copies ensures that everyone involved, from musicians to stage crew, is on the same page.

By addressing these misconceptions, musicians and directors can better utilize the Band Seating Chart form, ultimately leading to a more harmonious and organized performance.

Documents used along the form

When organizing a concert or performance for a band, several forms and documents may be necessary to ensure everything runs smoothly. Each document serves a unique purpose, contributing to the overall success of the event. Below is a list of forms commonly used alongside the Band Seating Chart form.

  • Performance Agreement: This document outlines the terms and conditions of the performance, including payment details, cancellation policies, and specific requirements from the venue or the band.
  • Program Schedule: A detailed timeline of the event, including rehearsal times, performance slots, and breaks. This helps everyone involved stay organized and on track.
  • Equipment List: A comprehensive inventory of all musical instruments and equipment needed for the performance. This ensures that nothing is overlooked and that all necessary items are available on the day of the event.
  • Sound Check Sheet: A checklist used during the sound check to ensure that all microphones, speakers, and instruments are functioning properly. This helps to prevent technical issues during the performance.
  • Rehearsal Schedule: A document that outlines the dates and times for rehearsals leading up to the performance. It ensures that all band members are aware of when and where they need to practice together.
  • Music Licensing Agreement: This form is essential for securing the rights to perform copyrighted music. It protects the band and venue from legal issues related to copyright infringement.
  • Warranty Claim Form: To ensure service requests and warranty claims are efficiently processed, it is advisable to complete the necessary form available at legalpdfdocs.com.
  • Emergency Contact Form: A document listing emergency contacts for all band members, including medical information and preferred hospitals. This is crucial for ensuring the safety and well-being of everyone involved.
  • Volunteer/Staff Assignment Sheet: A list that outlines the roles and responsibilities of volunteers or staff members assisting with the event. This helps ensure that everyone knows their tasks and can work efficiently.
  • Post-Performance Evaluation Form: A feedback form that allows band members and staff to assess the performance and the event overall. This information can be invaluable for improving future events.

Utilizing these forms in conjunction with the Band Seating Chart can enhance the organization and execution of a band performance. Each document plays a vital role in addressing different aspects of the event, ultimately contributing to a successful and enjoyable experience for both performers and audience members.